
Hosting the Central Conservatory of Music, China at Queen Mary.
On the 24th of March, we were delighted to host the Department of Music Artificial Intelligence and Music Information Technology from the Central Conservatory of
On the 24th of March, we were delighted to host the Department of Music Artificial Intelligence and Music Information Technology from the Central Conservatory of
On the 11th of March, we gladly welcomed Dr Sungyoung Kim from the AIRIS Lab (KAIST) to Queen Mary University of London for a fascinating
It was great fun organising the 3rd UKAN SIG-SAIA meetup hosted by KEF. We had a fantastic day visiting the KEF Music Gallery London. Huge
I’m thrilled to share that I’ve been accepted as an Academy Member in the EURASIP Academy, a global initiative dedicated to supporting early-career researchers in
On the 2nd of December, we had the pleasure of hosting Professor Andy Khong from Nanyang Technological University, Singapore, at Imperial College London for an
I’m thrilled to announce my collaboration with L-Acoustics on a new project grant titled “Online Speech Enhancement in Scenarios with Low Direct-to-Reverberant-Ratio”. Hopefully some interesting
It was exciting to be at EUSIPCO 2024 to help chair the Listener Acoustic Personalisation Challenge workshop, where we heard some great talks from the
It was great to be able to visit the IoSR at the University of Surrey yesterday to discuss collaboration opportunities with C4DM and the AXD
What a great way to spend an afternoon playing Kubb (Scandinavian Skittles). Bring on the next AXD, SAP and C4DM social. QMUL and Imperial represent.
It is great to have our work accepted for the DAFx24, the 27th International Conference on Digital Audio Effects, to be held at the University
It was great fun organising the 2nd UKAN SIG-SAIA meetup hosted by C4DM, QMUL. It was nice to see so many fruitful discussions on the
Introducing the Listener Acoustic Personalisation Challenge! We’re inviting everyone in the auditory research community to help us tackle key challenges facing immersive audio technology –